D193-BL · CELESTE
Celeste
Lacquered pale blue, flat and free of gradient — the cleanest dial in the series. The stillness of first light, before the day has its say.
VIEW MODEL →The rigour of a haute couture designer, brought to mechanical watchmaking. Designed and assembled in Spain.
DISCOVER THE COLLECTIONTHE MANIFESTO
“Elegance is, above all, a rigorous exercise in proportion and restraint. True sophistication never shouts”
Mariano Fortuny Madrazo, working alongside his wife Henriette Negrin, built upon the human body with the rigour of an architect: absolute mastery of volume, of the way materials yield and adapt, of the perfect tension of every line. Their genius lay not in ornament, but in proportion. Together they moved beyond the established order, creating original pieces of extraordinary beauty.
The Delphos Series 193 carries that tailor’s exactitude into mechanical watchmaking: a cushion case that is a study in proportion, a dial free of distraction, and hands honed to the point of a stiletto. Assembled and regulated in Spain.

The cushion case transcends its mere role as a container. Its profiles, robust yet softened, rest upon the wrist with natural poise; every angle has been rounded and polished so that the piece glides without friction beneath the cuff of an Egyptian cotton shirt. The etiquette of fine dressing, applied to steel.
THE DIAL
At the heart of the dial, the counterpoint: hands and applied indices shaped like a sharpened teardrop, reminiscent of the tip of a stiletto or of a master tailor’s needle. A taut, keen and piercing geometry that marks the passing of time with the precision of a clean cut.
All around, a calculated emptiness. No sub-dials, no date window, no distractions. Only the sunburst finish and the graduated hues, shifting with the angle of the light like the heavy silk of a necktie.
MOTION · DELPHOS ÓNICE · 20”









THE TECHNICAL SPECIFICATION
D193-BL · CELESTE
Lacquered pale blue, flat and free of gradient — the cleanest dial in the series. The stillness of first light, before the day has its say.
VIEW MODEL →D193-KP · ULTRAMAR
Sunburst blue with a fumé edge. The open sea at midday, darkening just at the rim of the dial.
VIEW MODEL →D193-KS · ÓNICE
Lacquered black, deep and mirror-like. The series’ evening dress: nothing to reveal but the time.
VIEW MODEL →D193-KG · BORGOÑA
Crimson in sunburst and fumé. The red that breathes at the centre of the glass and matures towards the edge.
VIEW MODEL →D193-KU · PINAR
Forest green in sunburst and fumé. Light filtering through the grove, deepening the closer it draws to the edge.
VIEW MODEL →D193-KW · MARFIL
Champagne in sunburst. The pale silk of Delphos pleating, turning its gleam with the wrist.
VIEW MODEL →D193-PK · PÉTALO
Matte powder pink, with no distracting shine. The only one in the series to whisper rather than gleam.
VIEW MODEL →D193-XB · BOREAL
Sunburst gradient from emerald to indigo. An aurora captured within forty-four millimetres.
VIEW MODEL →D193-XD · CREPÚSCULO
Sunburst gradient from copper to violet. The final minute of sunlight, held beneath the sapphire.
VIEW MODEL →ON THE WRIST









“A couturier must be an architect for the patterns, a sculptor for the form, a painter for the colour, a musician for the harmony and a philosopher for the measure”


VENICE · 1907 → 1909
Around 1907, at the Palazzo Orfei in Venice, Mariano Fortuny and Henriette Negris created a garment inspired by the chiton of the Charioteer of Delphi. Their patented technique, never since equalled, worked the light within the fabric to sublime effect, its colours shifting with the natural movement of the body itself.
The Delphos Series 193 takes up that legacy. Its dials change hue with every turn of the wrist, while the sharp geometry of the indices and hands recalls the tailor’s needle.
A watch built with an architect’s rigour and the sensibility of a couturier who united work and love, in perfect harmony, within singular creations.
THE NINE DIALS
Nine variations on a single proportion. One pattern, nine textures
A powdery pink, matte and understated, far removed from anything strident. It recalls the silk of a lining or the inner face of a petal. The most unexpected dial in the collection, and one of the most elegant when worn with ease
“The one that asks no permission to wear colour”
FOUR WAYS TO WEAR IT
The dinner jacket, the wool knit, midday linen and the black suit. Four wardrobes, four ways to carry the same proportion on the wrist.

01 · KG — BORGOÑA
The dinner jacket
A crimson red that deepens towards the edges, with stiletto indices. Black leather strap.

02 · KU — PINAR
The wool knit
Forest green with golden highlights, without a single distraction on the dial. Black leather strap.

03 · KW — MARFIL
Pale linen
Soft champagne on a pristine dial, the clarity of linen in summer. Black leather strap.

04 · KS — ÓNICE
The black suit
A deep black that yields the spotlight to the glint of the indices. Black leather strap.
